Song of Solomon — Chapter 6

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1Where has your beloved gone, O most beautiful among women? Which way has he turned? We will seek him with you.

2My beloved has gone down to his garden, to the beds of spices, to pasture his flock in the gardens and to gather lilies.

3I belong to my beloved and he belongs to me; he pastures his flock among the lilies.

4You are as beautiful, my darling, as Tirzah, as lovely as Jerusalem, as majestic as troops with banners.

5Turn your eyes away from me, for they have overcome me. Your hair is like a flock of goats streaming down from Gilead.

6Your teeth are like a flock of sheep coming up from the washing; each has its twin, and not one of them is lost.

7Your brow behind your veil is like a slice of pomegranate.

8There are sixty queens and eighty concubines, and maidens without number,

9but my dove, my perfect one, is unique, the favorite of the mother who bore her. The maidens see her and call her blessed; the queens and concubines sing her praises.

10Who is this who shines like the dawn, as fair as the moon, as bright as the sun, as majestic as the stars in procession?

11I went down to the walnut grove to see the blossoms of the valley, to see if the vines were budding or the pomegranates were in bloom.

12Before I realized it, my desire had set me among the royal chariots of my people.

13Come back, come back, O Shulammite! Come back, come back, that we may gaze upon you. Why do you look at the Shulammite, as on the dance of Mahanaim?

1Whither is thy beloved gone, O thou fairest among women? whither is thy beloved turned aside? that we may seek him with thee.

2My beloved is gone down into his garden, to the beds of spices, to feed in the gardens, and to gather lilies.

3I am my beloved’s, and my beloved is mine: he feedeth among the lilies.

4Thou art beautiful, O my love, as Tirzah, comely as Jerusalem, terrible as an army with banners.

5Turn away thine eyes from me, for they have overcome me: thy hair is as a flock of goats that appear from Gilead.

6Thy teeth are as a flock of sheep which go up from the washing, whereof every one beareth twins, and there is not one barren among them.

7As a piece of a pomegranate are thy temples within thy locks.

8There are threescore queens, and fourscore concubines, and virgins without number.

9My dove, my undefiled is but one; she is the only one of her mother, she is the choice one of her that bare her. The daughters saw her, and blessed her; yea, the queens and the concubines, and they praised her.

10Who is she that looketh forth as the morning, fair as the moon, clear as the sun, and terrible as an army with banners?

11I went down into the garden of nuts to see the fruits of the valley, and to see whether the vine flourished, and the pomegranates budded.

12Or ever I was aware, my soul made me like the chariots of Amminadib.

13Return, return, O Shulamite; return, return, that we may look upon thee. What will ye see in the Shulamite? As it were the company of two armies.

1Whither is thy beloved gone, O thou fairest among women? Whither hath thy beloved turned him, That we may seek him with thee?

2My beloved is gone down to his garden, To the beds of spices, To feed in the gardens, and to gather lilies.

3I am my beloved`s, and my beloved is mine; He feedeth [his flock] among the lilies,

4Thou art fair, O my love, as Tirzah, Comely as Jerusalem, Terrible as an army with banners.

5Turn away thine eyes from me, For they have overcome me. Thy hair is as a flock of goats, That lie along the side of Gilead.

6Thy teeth are like a flock of ewes, Which are come up from the washing; Whereof every one hath twins, And none is bereaved among them.

7Thy temples are like a piece of a pomegranate Behind thy veil.

8There are threescore queens, and fourscore concubines, And virgins without number.

9My dove, my undefiled, is [but] one; She is the only one of her mother; She is the choice one of her that bare her. The daughters saw her, and called her blessed; [Yea], the queens and the concubines, and they praised her.

10Who is she that looketh forth as the morning, Fair as the moon, Clear as the sun, Terrible as an army with banners?

11I went down into the garden of nuts, To see the green plants of the valley, To see whether the vine budded, [And] the pomegranates were in flower.

12Before I was aware, my soul set me [Among] the chariots of my princely people.

13Return, return, O Shulammite; Return, return, that we may look upon thee. Why will ye look upon the Shulammite, As upon the dance of Mahanaim?

1The Maidens to the Beloved: Where has your beloved gone, O most beautiful among women? Where has your beloved turned? Tell us, that we may seek him with you.

2The Beloved to the Maidens: My beloved has gone down to his garden, to the flowerbeds of balsam spices, to graze in the gardens, and to gather lilies.

3The Beloved about Her Lover: I am my lover’s, and my lover is mine; he grazes among the lilies.

4The Lover to His Beloved: My darling, you are as beautiful as Tirzah, as lovely as Jerusalem, as awe-inspiring as bannered armies.

5Turn your eyes away from me— they overwhelm me! Your hair is like a flock of goats descending from Mount Gilead.

6Your teeth are like a flock of sheep coming up from the washing; each has its twin; not one of them is missing.

7Like a slice of pomegranate is your forehead behind your veil.

8There may be sixty queens, and eighty concubines, and young women without number.

9But she is unique, my dove, my perfect one! She is the special daughter of her mother; she is the favorite of the one who bore her. The maidens saw her and complimented her; the queens and concubines praised her:

10“Who is this who appears like the dawn? Beautiful as the moon, bright as the sun, awe-inspiring as the stars in procession?”

11The Lover to His Beloved: I went down to the orchard of walnut trees, to look for the blossoms of the valley, to see if the vines had budded or if the pomegranates were in bloom.

12I was beside myself with joy! There please give me your myrrh, O daughter of my princely people.

13The Lover to His Beloved: (7:1) Turn, turn, O Perfect One! Turn, turn, that I may stare at you!The Beloved to Her Lover: Why do you gaze upon the Perfect One like the dance of the Mahanaim?

1Where has your beloved gone, you fairest among women? Where has your beloved turned, that we may seek him with you?

2My beloved has gone down to his garden, to the beds of spices, to feed in the gardens, and to gather lilies.

3I am my beloved’s, and my beloved is mine. He browses among the lilies,

4You are beautiful, my love, as Tirzah, lovely as Jerusalem, awesome as an army with banners.

5Turn away your eyes from me, for they have overcome me. Your hair is like a flock of goats, that lie along the side of Gilead.

6Your teeth are like a flock of ewes, which have come up from the washing; of which every one has twins; no one is bereaved among them.

7Your temples are like a piece of a pomegranate behind your veil.

8There are sixty queens, eighty concubines, and virgins without number.

9My dove, my perfect one, is unique. She is her mother’s only daughter. She is the favorite one of her who bore her. The daughters saw her, and called her blessed; the queens and the concubines, and they praised her.

10Who is she who looks out as the morning, beautiful as the moon, clear as the sun, and awesome as an army with banners?

11I went down into the nut tree grove, to see the green plants of the valley, to see whether the vine budded, and the pomegranates were in flower.

12Without realizing it, my desire set me with my royal people’s chariots.

13Return, return, Shulammite! Return, return, that we may gaze at you. Lover Why do you desire to gaze at the Shulammite, as at the dance of Mahanaim?

Summary
Authorship & Background
Map & Geography
Commentary
Videos
Articles
Reflection

Summary

When the Daughters of Jerusalem ask where her Beloved has gone, the Bride explains he has gone down to his garden to graze among the lilies, reaffirming that she belongs to him and he to her (vv. 1-3). He responds with renewed praise, comparing her beauty to great cities and declaring that though he could have countless queens and concubines, she alone is perfect and unique — the favorite of her mother and admired by all who see her (vv. 4-10). The Bride recalls wandering down to the orchard, where she was suddenly overtaken by longing for her beloved (vv. 11-12). The chapter closes with others calling for the Shulammite to return so they might look upon her (v. 13).

Authorship & Background

Author: Solomon (1:1). Also called 'Canticles' or 'Song of Songs' (the greatest song). A love poem celebrating marital love — the only extended treatment of romantic/sexual love in Scripture. Interpreted on multiple levels: (1) literal — celebrating human love within marriage; (2) allegorical — picturing God's love for Israel or Christ's love for the Church (Ephesians 5:25-32).
Classification: Wisdom Literature — Love Poetry
Key Themes: A question about where the beloved has gone, beauty called terrible as an army with banners, one singled out from sixty queens, and a return to the garden and the nut trees
Speakers: The Daughters of Jerusalem: v.1, v.13a; The Bride (Shulamite): vv.2-3, v.11-12; The Bridegroom (Solomon): vv.4-10; Onlookers/Narrator: v.13b
Historical Context: Chapter 6 resolves the crisis of Chapter 5. The Daughters of Jerusalem, moved by the Bride's description of her beloved, ask where he has gone so they can seek him with her (v.1). The Bride's answer reveals that she already knows: "My beloved is gone down into his garden" (v.2). The crisis has passed; reunion has occurred. The covenant declaration is renewed with a significant shift: "I am my beloved's, and my beloved is mine" (v.3) — compared to 2:16 ("My beloved is mine, and I am his"), the order reverses. Now she emphasizes his possession of her first — a deepening of surrender. The Bridegroom then renews his praise (vv.4- 10), comparing her to beautiful cities (Tirzah, Jerusalem) and declaring her unique among all women. The chapter ends with the mysterious "Shulamite" passage (v.13) where onlookers call for her return and admire her beauty. Allegorically, this chapter pictures restoration after spiritual failure — the believer's renewed communion with Christ, the deepening of surrender, and Christ's unwavering declaration of His Bride's beauty even after her unfaithfulness.
Whither Is Thy Beloved Gone? (vv.1-3): The daughters offer to help look, which is the first cooperative note from the chorus. Her answer says she already knows where he is — gone down into his garden — so the search of chapter 5 has resolved offstage. Verse 3 repeats the mutual possession formula from 2:16 with the halves reversed, which is the kind of small variation the book uses instead of narrative.
The Bridegroom: Terrible as an Army with Banners (vv.4-9): He compares her to Tirzah and Jerusalem, two cities, and then twice to an army with banners — beauty described as something that overpowers rather than charms. “Turn away thine eyes from me, for they have overcome me” is the most direct statement of that in the book. Verse 8's threescore queens and fourscore concubines set up v.9: my dove, my undefiled, is but one.
Who Is She That Looketh Forth? (v.10): A single verse of question, and the images climb: fair as the moon, clear as the sun, terrible as an army with banners. Coming from the onlookers rather than the bridegroom, it functions as public confirmation of what he has just said privately.
The Bride: I Went Down into the Garden (vv.11-13): Her closing lines are hard to follow and the versification differs between translations, which is why the speaker attributions matter here. She goes down among the nut trees, and something about her soul making her like the chariots of a willing people is one of the most disputed sentences in the book. Verse 13's call to return, Shulamite, gives her the only name she is given anywhere.

Map & Geography

Places on this map

  • JerusalemJerusalemA hill town about 2,500 feet up in the central spine of Judah, roughly 35 miles inland from the Mediterranean and 15 miles west of the Jordan. It sits on no trade route and has no river, which is why it mattered as a fortress and a sanctuary rather than as a market. Wikipedia
  • Gileadnorthern JordanThe wooded highlands east of the Jordan between the Yarmuk and the Arnon, good grazing country and a source of the resin traded as balm. Being across the river left its tribes perpetually worried about being written out of Israel. Wikipedia
  • Jordan RiverIsrael / Jordan borderRuns about 65 miles as the crow flies from the Sea of Galilee to the Dead Sea, dropping from 700 to 1,400 feet below sea level. Narrow enough to wade at most fords, it was still the boundary that divided wilderness from inheritance. Wikipedia

Towns sit on their excavated or traditional site. Regions, rivers and seas are ringed rather than dotted, because for those a single point is only an anchor. Coastlines from Natural Earth.

Commentary

  • Enduring Word (David Guzik): enduringword.com Guzik emphasizes the progression of the covenant formula (2:16 to 6:3 to 7:10) as one of the most important structural elements in the Song. It marks the Bride's spiritual maturation from possessive claiming to surrendered belonging. Guzik also notes that the Bridegroom's praise AFTER the crisis of Chapter 5 is even more lavish than before — grace responds to failure not with diminished love but with renewed affirmation.
  • Jamieson-Fausset-Brown (1871): blueletterbible.org A critical and explanatory commentary on the whole Bible, more concise than Matthew Henry and closer to the Hebrew and Greek, with attention to historical and geographical detail. Public domain.
  • Matthew Henry's Exposition (1710): blueletterbible.org A devotional verse-by-verse commentary in the Puritan tradition, still among the most widely read three centuries on. Public domain.

Videos

Song of Solomon 6 - Bible Study and Explanation in 5 Minute
2BeLikeChrist

Song of Songs 6:4-7:10 | His Desire is for Me! | Bible Study
Spoken Gospel

A Maturing Relationship: Song of Solomon 6-8
David Guzik

Articles

  • GotQuestions.org: gotquestions.org On the whole book: an overview of Song of Solomon -- who wrote it, when, why, and how it fits the rest of Scripture.

Links open on the publisher's own site. Nothing here is reproduced on this page.

Reflection

  • Putting Belonging Before Possessing (v.3) — She now says "I am my beloved's" before "my beloved is mine," reversing the order she used earlier in the Song. Have you grown from asking what a relationship gives you toward asking how fully you actually belong to the other person?
  • Praise That Survives the Crisis (v.4) — After the painful separation of the previous chapter, the Bridegroom's praise of her comes back undiminished rather than cooled. After a conflict or a failure, do you restore affection quickly, or make someone earn their way back into your warmth?
  • The Power of Undivided Attention (v.5) — He tells her to turn her eyes away because they overwhelm him, her focused gaze has real effect on him. Where could you offer someone your full, undistracted attention instead of a divided one?
  • Chosen as One, Not Lost in a Crowd (v.9) — Among many others, she's described as singular, unique, unmatched. Does the person, or the God, you belong to know they're not just one option among many to you?
  • Growing More Beautiful With Time (v.10) — Her described progression, like the dawn, the moon, the sun, pictures increasing radiance rather than fading. Are you expecting your relationships, or your character, to grow more beautiful with time, or assuming the best is already behind you?